Virtually all pack shots need label replacements. The process can be straightforward, but it becomes more difficult when there isnโt much to track โ think transparent packs. If you canโt track the object, use SynthEyes to track everything else and camera solve from that.
Product specialist Christoph Zapletal walks you through feature tracking a shot, working with the known focal length, and calculating and adjusting lens distortion.
In Part II, youโll learn how to composite the shot inside a Nuke workflow. The techniques shown are applicable to Adobe After Effects, Autodesk Flame, and Blackmagic Fusion. Watch Now
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